Make sure that your After Effects was closed before you began installing Twixtor or else it might just crash. Twixtor should then install and you’re done! Do the same for the registration code.Īnd finally, click on Install Pro GUI Version. Come back to the installer and press CTRL + V to paste it. Now, go back to the text file that you opened in the beginning and copy the username. The final step is to enter the serial number after you’ve selected where you want Twixtor to be installed, a window like this should pop up: You’ll then be asked where you’d like to have the manual installed - you can install this anywhere, even on your desktop. Go to Program Files > Adobe > (either After Effects CS6 or After Effects CC) > Support Files > Plug-ins and then click OK. It will then ask you where to install Twixtor. I have my CS5 checked since I use it quite often, but for CS6 - CC you’ll need to make sure that Install for other applications is checked. The installer will then ask you which versions of After Effects Twixtor must be installed to. Inside you will find the information to use in the installer - keep this open while you are busy installing Twixtor.Ĭlick Next, and then agree to the software agreement. Then, open the folder serial and open the text file named Install. Then extract the files to any place where you can find them easily (I just extracted mine to my desktop). One second of real life will take four or more seconds to playback.First, download the files here. If your camera actually shots 120 fps then there is no need to do anything but adjust the interpretation to 30 fps or less to achieve a 4X slow-motion shot. Twixtor can take a very long time to render and it will not perform miracles on footage that is not suitable to slow down. Twixtor Pro - Virtual Camera moves - multi-view interpolation Premiere Pro to After Effects Workflow Using Twixtor and After Effects to retime both audio and video Twixtor 7 in Premiere Pro and AE 2020-Review and Whats New-Part 1 Twixtor 7 in Premiere Pro and AE 2020-Review and Whats New-Part 2 Twixtor, Time Remapping and Excel This album. With other types of footage, you have to do a ton of customizing with the controls. With the right kind of footage, this works amazingly well. Twixtor makes a good estimation of the movement of the detail areas (luminance) and predicts where things in the scene will move then creates new frames with these estimates. If you put 120 fps footage interpreted at 30 fps in a comp that has a frame rate that is 24, or 23.976, or 60, then some frames will be blended, dropped, or duplicated. If you put your footage in a 30 fps comp or 30 fps sequence you will see every frame. If you shoot at 120 fps and change the interpretation to 30fps in AE then, no matter what the frame rate of the composition, one second of recorded action will take, do the math, 120 / 30, 4 seconds to playback. This happens because NLE's and compositing and VFX apps like AE try and maintain real-time sync which is critical for sync sound and a bunch of other things. If you shoot 120fps footage and load that footage in After Effects or Premiere Pro and put that footage in a 24, or even a 12 fps composition then one second of action captured by the camera will still take one second to playback, you will just be skipping frames. If your camera frame rate matches your playback frame rate then one second of the action you record will take one second to playback. Games can run at much higher frame rates but games really have very little to do with movies or video. Digital projection is also sometimes running at 48 fps. Occasionally, and usually a waste of bandwidth the playback speed will be 59.97 or 60 fps. The first consideration is your playback frame rate. Throw in interlacing, comp frame rates, and file interpretation and it's really easy to get confused. Most folks that have not shot with a real motion picture camera don't understand frame rates and slow motion.
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